音乐

Author: 亚美联谊会

著名歌唱作者劉兵

清華大學出身,是位著名歌唱作者,作品無數,其中《傳奇》一曲,李健原唱,聽眾以億計,并與 Sony 等唱片公司簽約成為專用歌詞作者。近年在波士頓地區參與許多音樂活動,應邀為亞美會會歌作詞。他表示在會歌的創作上,圍繞亞美會「融和亞美族裔,美化社區家園」這個宗旨主題,著重在美國這塊自由土地上的文化融和,希望共同建造各族裔一起生活的家園。《亞美會會歌》 由Ethan Zhu作曲,共同合作完善,在亞美節音樂會首唱。

Author: 亚美联谊会

在第六届亚美节,亚美会组委会特别向中华唐密金珂书画院发出邀请,金珂玄雷金刚上师派出弟子,金珂引顶,引有和引情赴美送来祖国的祝福。据悉,金珂引顶将在亚美节当日在 Boston Common 和 Lexington剧场献唱两首佛教歌曲。为亚美节,中美友谊和世界和平祈福。

演唱曲目及背景介绍
《悟真缘》  
词:金珂玄雷金刚上师
曲:金珂玄雷金刚上师

在人迹罕至的十万大山密林深处,一位唐密行者,他心发菩提、心怀众生,不为自己求安乐,但愿众生得离苦,禅密于云雾山中,立身于溪流之上,月复一月,年复一年,吃了多少常人没有吃过的苦,受过多少常人难以忍受的罪。经过数十年艰辛的禅密观修,最终圆满道通。于是他走出深山,把一切的慈悲、智慧、功德和愿力都回向给无量的众生……

《祈愿世界永和平》  
词:金珂玄雷金刚上师  
曲:浮克

21世纪的众生需要用无上的佛法大智慧,倡导大爱,化解矛盾,感化怨恨,净化邪恶,引导众生步入内心的祥和与宁静,社会的和谐,世界的大同。让我们心中无限的爱遍布整个世界的每一个角落,没有任何敌意和怨恨,每一个众生都能感受到这份善缘的挚爱!安可乐!耶克嗦!

 

Author: 亚美联谊会

李雨儿是一位从大山里走出来的优秀的歌手,今年李雨儿来到了2011中国红歌会,并成功挺进全国10强。记者独家专访李雨儿,在李雨儿追求音乐的14年中,有孤独、辛酸、快乐、感恩与挫折,但李雨儿从未放弃过对音乐的追求,凭借一颗善良和感恩的心,李雨儿在音乐的天空翱翔。

李雨儿铭记恩师 20元钱里的血与泪

据了解,李雨儿92年考上了湖南祁阳师范,这对于当时李雨儿所在的小山村来说,考上师范是一件大事。当时李雨儿家里穷,李爸四处借钱也无法凑齐学费,当时代过李雨儿课的民办老师---文家信,多次走24里的路去赶集卖竹子,辛苦下来凑了20块给雨儿报名,这个恩情李雨儿一辈子也不会忘记。

1995年李雨儿毕业并成了一名小学老师,但是这一年文家信老师却疯了!由于文家信是民办教师,被迫离开心爱的讲台的文老师被活活逼疯了。李雨儿坚信文老师没有疯,文老师看见李雨儿时,清楚的叫雨儿的名字。

2004年快过年时,李雨儿带上妹妹去看望文老师。孤独的文老师住在一个黑黑的泥胚房里,吃喝拉撒都在房里,睡在地上的草窝里。文老师在外人眼里已经是个彻彻底底的疯子,但李雨儿却把恩师当做最亲的人来看待。李雨儿把父亲的衣物和家里的钢丝床,装上满满一板车去看望文老师,为老师清扫房屋,帮恩师洗去脸上的污垢。但如今文家信老师已经不知道去向,李雨儿四处寻找也没能找到,离乡出走的文老师在外生死未卜。每年教师节,李雨儿都会在博客上给文老师送上祝福,但李雨儿的祝福却没有觅处。多年过去了,李雨儿仍没有放弃对恩师文家信的寻找,难以回报师恩的李雨儿写道:“愧疚是要用一生的后悔来为代价的。”

山村孩子如何踏上音乐之路

李雨儿为了还清父亲在外面的6万元欠债,李雨儿毅然决定外出打工,本来打算去福州的李雨儿,却因为坐错了火车糊涂的去了深圳。李雨儿这一去就是三年,三年来孤独无依的李雨儿在外拼命三郎四似的赚钱还债,李雨儿也因此意外的走上歌唱的道路,至今李雨儿仍在歌唱的道路上奋斗。

曾经深圳一个多月的李雨儿没有找到工作,没有钱的李雨儿夜晚就睡在公交站台,每天食不果腹。一次偶然的机会,李雨儿走进一家酒吧,喜欢唱歌的李雨儿被酒吧老板聘请唱歌,每天50元钱,李雨儿因此走上音乐的道路。后来李雨儿在酒吧里有了些名气,歌唱的收入也越来越高,能拿到几百钱一天,为了还债,李雨儿一天甚至唱十场歌,十分辛苦。2000年,李雨儿终于赚到了6万块钱,漂泊在外三年的李雨儿第一次回家,凭借唱歌养活一家人的李雨儿也将歌唱作为自己一生的道路。

李雨儿参加星光大道一举成名,被称为“女阿宝”、“海啸音”的李雨儿的演绎之路变的顺畅,也拥有了不少铁杆粉丝。5年过去了,李雨儿仍然不忘对歌唱的追求,她来到了2011中国红歌会。在中国红歌会30进21的比赛中,李雨儿含泪深情唱《我是一只小小鸟》,李雨儿就是歌曲中的那只小小鸟,李雨儿唱的就是她自己14年来追求音乐的艰辛历程,但满怀深情的李雨儿却被红歌评审无情的称为“鸵鸟”,后来李雨儿在博客中写道:“回首走过的这些年,大多数时间是在舞台上,在别人的歌曲里演绎着自己的酸甜苦辣,从来不敢放弃。”

圈中好友感情深 “四人帮”助阵红歌会

最近,圈内好友纪敏佳深陷整容事件,素有湖南人热心肠的李雨儿更是第一个站出来为其辩护。李雨儿的圈中好友很多,比如庞龙、阿宝、李玉刚、凤凰传奇玲花等,李雨儿说这些朋友们的友谊都是从底层一路打拼培养出来的。谈到生活中的朋友圈子,但是女孩子偏多,李雨儿的闺蜜有个“四人帮”,包括中央电视台主持人李晓辉、上过春晚的著名歌手晏菲、记者甘露和李雨儿。这四个姑娘都是湖南妹子,都是一路辛苦打拼到北京,四个人非常情投意合。在中国红歌会后面的比赛中,“四人帮”都会来为李雨儿加油。

谈到之后的打算,李雨儿表示自己还是会不断地做音乐。李雨儿认为音乐是诉说生活,音乐中可以流露出自己的经历故事,是属于自己生活的音乐。来自山村的李雨儿内心有着山野之风无拘无束的天性,歌曲中只有励志和情才能真正的打动她,热爱音乐的李雨儿会继续追求自己的音乐梦想。

参加红歌会找回奶奶 亲情无限

在2011中国红歌会,只要李雨儿有比赛,台下都会有一位坐在轮椅上的老奶奶举着李雨儿的牌子坚持观看比赛。这位老人是与李雨儿并没有血缘却很有缘分的奶奶,李雨儿说:“这个老奶奶就像我的亲奶奶。”记者采访李雨儿了解到,原来这位老奶奶是李雨儿在红歌会彩排后遇见的。当李雨儿看见这位老奶奶一个人孤单的坐在轮椅上时,热心的李雨儿就陪着老奶奶聊着天,李雨儿突然觉得这位老人的神态与自己已故的亲奶奶非常相似。奶奶很热情地邀请李雨儿去她家里,这让雨儿觉得像回到小时候的一样。之后,李雨儿便经常去看望这位朱奶奶,深入了解了朱奶奶的情况后,雨儿非常心疼,眼眶都湿润了,原来朱奶奶丈夫去世无儿无女。

李雨儿认这位老人为亲奶奶,李雨儿觉得自己关闭了很久的爱终于有了出口。奶奶总是做许多东西给雨儿吃,但是雨儿发现奶奶家没有一件像样的家具,奶奶留雨儿吃晚饭才发现自己家里的肉已经坏了,因此雨儿大热天跑了三个商场买了一个适合奶奶家的小冰箱,还拉着范飞等其他红歌手一起搬去给奶奶。渐渐感情越来越深,奶奶只要身体行,都会去关注雨儿在中国红歌会的比赛。

除了爱心陪伴这位老奶奶外,李雨儿生活中同样非常有善心,无论在何处,遇见需要帮助的老人她都会尽力而为伸手相助。曾经多次,她将身上的钱都捐给了在马路边上行乞的老人。但是李雨儿仍旧是一只“小小鸟”,她还没有那么大的力量,李雨儿最大的愿望便是建立一个养老院,让更多孤独无依的老人能够得到关爱,李雨儿也会继续为了这些梦想而奋斗。

目前,从不言弃的李雨儿已经顺利进入了2011中国红歌会全国10强,这位坚强的女孩将会在歌唱的道路上越走越远。

 

Author: 亚美联谊会

Chung Robert is an artist with the ability to make or perform one of the officially designated important intangible cultural properties of Korea. She is one of the disciple of Ingan-munhwage who is designated by the South Korean government. Chung has her degree on Study of Minsok, Korean traditional culture from Hanjung University in Donghae Korea. She is also a professional player of Korean traditional instrument Jango and Gayageum, and also an artist of Korean traditional folk music Minyo and Korean traditional dance Salpuli.

Author: 亚美联谊会

李照原

李照原于1988来北美。多年来致力于弘扬中华文化,努力为华人社区服务,积极促进东西方文化交流,应邀在大陆,香港和台湾华侨的诸多庆祝活动中演唱歌曲和担任节目主持人。他还曾参与了话剧演出和电影拍摄,受到了华人和主流社会的喜爱和认可。

他多次受邀参与筹划波士顿地区的大型文艺活动,并以专业水准的中英文担任节目主持。他主持的多个大型文艺活动有 《大波士顿地区第五届亚美节》,《东西互联波士顿地区春节文艺晚会》,《波士顿7地区华人华侨 “百年圆梦,中秋同庆” - “庆奥运,迎中秋” 文艺晚会》等等。自2006以来,连续主持诸多亚裔社区和组织一年一度的春节联欢会和周年庆典,包括 《波士顿京津同乡会》, 《全美亚裔妇女会麻省分会》 等等。

受第六届亚美节的委托,他将负责主持本届亚美节的开幕式,文艺演出以及专场文艺晚会。

话剧《海外剩女》剧照

在第五届亚美节上与亚姐一起主持拍卖

 

 

 

Author: 亚美联谊会

赵雯妍

赵雯妍(Annie  Zhao)   原广东电视台科技栏目主持人、记者。2003年来美,投身金融行业十余年,现为资深理财顾问。

工作之余,热心服务华人社区及中国文化的弘扬,多次担任大型庆祝及文艺活动的主持人,其中包括第一及第二届《亚美节》综合文艺晚会;《大波士顿地区舞林大会》;大型《百年圆梦、庆奥运、迎中秋》文艺晚会等等。

应第六届亚美节的邀请,将担任文艺演出及专场文艺晚会的主持人。

赵雯妍,李照原共同主持第一届亚美节文艺晚会 (波士顿菊子摄)

Author: 亚美联谊会


亞美藝術團成員排練廣東音樂

《亞美藝術團》 由亞美會整合許多個藝術團體組成,成為一個擁有多元表演藝術資源的強大家庭, 以解決眾多藝術團體力量單薄, 難承擔組織正常表演重負問題。每個藝術團體, 保留自己運作和財政的獨立性,合起來就可以應對各種不同的演出需求,也容易為不同表演藝術家找到舞台。

2015 年,亞美藝術團獲得達美(Delta)航空公司贊助 15 張波士頓/上海來回機票,《亞美藝術團》首次訪問中國廣東三個城市,在當地合作夥伴協助下,成功舉辦四場音樂會,受到社會人士、各媒體、文化藝術機構的高度讚揚,為中美文化交流暨友好互動,做了有意義工作,發揮了藝術團及合作夥伴的有力功能。

在第六届亚美节上,亚美艺术团将演出廣東音樂: 《雨打芭蕉》 《雙星恨》

高胡: 高宏偉
揚琴: 李平
琵琶: 甄若矛/林梧琨
笛子: Billy Yang
中胡: 郭景富
小提琴: 林凱文/Jason Lee
大提琴: 甄雲龍
倍大提琴: Victor

Author: 亚美联谊会

翁慧, 旅美青年古筝演奏家。毕业于中央音乐学院和美国新英格兰音乐学院,现留校任教于美国新英格兰音乐学院。是中国首位将即兴表演与中国传统音乐完美结合,并把古筝艺术带进美国音乐专业学校的演奏家。

曾屡获国内外大奖,包括中国音乐金钟奖,CCTV 民族器乐大赛,文华奖等。学生期间,多次受邀参与CCTV音乐电视录制工作。其首演的古筝独奏作品《墨客》《西部主题畅想曲》等已发展为现在内地最炙手可热的古筝作品。2011年成功录制并由北京环球音响公司出版发行的《墨客》。近年来,翁慧一直致力于中国音乐国际化的推广,特别是来美后,她积极参与创作,成功首演了大量优秀现代古筝作品。在美国短短三年时间,她先后在美国匹克曼音乐厅和享誉世界的著名乔丹音乐厅举办了两场个人音乐会。在其中一场献给自闭症儿童的慈善音乐会中,世界首演了她特意为音乐会委约的大型古筝与交响乐协奏曲《春宴》。她大气从容的演奏风格,得到国内外一致褒奖,一位世界知名乐评人曾写到:“她在台上表演的每一瞬间,都可以让人捕捉到属于她的故事,是一位不可多得的有深度的传统乐器演奏者,令人不可思议。”

作为活跃于国际舞台的年轻一代民乐人,翁慧曾成功首演过一系列当代作品。合作过的著名音乐家有:谭盾,陈怡,叶小纲等。多次参与马友友丝绸之路合作worshop。被评为S.B.C.F组织赠予了“新兴艺术家”称号,并获得相应艺术项目基金,也是该组织成立以来第一次把此殊荣赠予民族传统乐器演奏家。 目前,新英格兰音乐学院(NEC)也特此在其预科学校增设了古筝课,和中国音乐乐队等课程。

Author: 亚美联谊会

Hailed as “sumptuous and eloquent” by the Boston Globe, pianist Sarah Bob is an active soloist and chamber musician noted for her charismatic performances, colorful playing and diverse programming. A strong advocate for new music and considered a “trailblazer when it comes to championing the works of modern composers and combining art media in the process…” (Northeast Performer), she is also the founding director of the New Gallery Concert Series, a series devoted to commissioning and uniting new music and contemporary visual art with their creators.  She is an original member of many ensembles including what the Boston Music Intelligencer calls the “knockout” piano/percussion group Primary Duo, Firebird Ensemble, considered “ambitious and eclectic” by the New York Times, and Radius Ensemble, a fresh and creative chamber music collective that focuses on both the traditional and cutting edge. Recently, Sarah became Classical Music Director of the Stone Mountain Arts Center to program, perform and bring in the highest quality of musicians. The goal, her strong suit, is to introduce music in a loving, inclusive and intoxicating way.
Sarah’s work has been celebrated nationwide as well as overseas with performances in a variety of venues including Carnegie Hall, Symphony Space, the Tenri Cultural Institute and Lincoln Center’s Alice Tully Hall in New York City, Boston’s own Jordan Hall, Goethe Institute, Isabella Stewart Gardner Museum, St. Botolph Club, Institute of Contemporary Art and Tsai Center, Kerrytown Concert House (Ann Arbor, Michigan), the Stone Mountain Arts Center (Brownfield, Maine), the National Gallery of Art (Washington D.C.), VMA Arts and Cultural Center (Providence, R.I.), The Music Hall (Portsmouth, N.H.), The Chan Centre (Vancouver, B.C.), De Doelen (Rotterdam, Holland), Music Center Boris Hristov (Sofia, Bulgaria), UnerhörteMusik Concert Series (Berlin, Germany) and the Dampfzentrale (Bern, Switzerland.) Thanks to her drive, Sarah is also cited in Beyond Talent: Creating a Successful Career in Music by Angela Myles Beeching.
Recognized as a risk taker and cited for an “ideal combination of all-stops-out abandon and sure-footed technical control” by 21st Century Music, Sarah is top prizewinner of the International Gaudeamus Interpreters Competition 2001 and grant recipient of the Yvar Mikhashoff Trust for New Music. She is the recipient of the St. Botolph Club Foundation’s 2005 Grant-in-Aid Award which recognizes the quality of her work and artistic merit and, in 2007, received the first annual John Kleshinski Award in honor of her daring, exciting and high quality New Gallery Concert Series presentations. In 2009, only ten years after graduation, Sarah received the prestigious Outstanding Alumni Award from the New England Conservatory. On behalf of the New Gallery Concert Series, she has also consistently earned the Aaron Copland Fund annually since 2005 along with the New England Foundation for the Arts/Meet the Composer, the Argosy Foundation Contemporary Music Fund, the Boston Cultural Council and also the Trust for Mutual Understanding which brought her to Eastern Europe to bring American contemporary music to Sofia, Bulgaria. Most recently, Sarah completed her three year appointment as a Fellow at the prestigious St. Botolph Club.
Sarah wears many hats and finds that her collaborations go beyond chamber music, orchestral playing, working with visual artists and composers. As Director of the New Gallery Concert Series, Sarah helps to produce the week long Young Composers Festival every January with the Community Music Center of Boston and, in years past, the Dinosaur Annex Music Ensemble as well.  As a fan of youth and the arts and on behalf of the Nashua Symphony Orchestra “Once Upon A Time” Solo and Chamber Music Series, Sarah has also organized and performed new music concerts for young children. As for older children, Sarah has been a guest artist with the Sarasa Ensemble and participated in multiple outreach programs performing for and working with incarcerated teens. In 2008, Sarah was flown to Switzerland specifically to perform as piano soloist with the Swiss dance troupe inFlux under choreographer Lucía Baumgartner. She has also had the pleasure of working with poets and mime and, with permission from the composer, arranging My Life on the Plains by Lee Hyla for solo piano to great acclaim. “To its everlasting credit, this rendition [of My Life on the Plains] does not sound like excerpts: Hyla/Bob makes a compelling argument of its own, calling forth a variety of touches and techniques.” (Boston Music Intelligencer September 2014)
A strong advocate for new music, Sarah has worked with and premiered countless works by both established and emerging composers from Gunther Schuller and Lee Hyla to Curtis K. Hughes and Jonathan Bailey Holland. By special request, she has also performed for artists John Zorn (sponsored by New England Conservatory’s Jazz Studies and Contemporary Improvisation Department), Kaija Saariaho (sponsored by the Boston Symphony Orchestra/New England Conservatory), Franco Donatoni (through the New England Conservatory/Harvard Callithumpian Consort Series), Lee Hyla, John Harbison, Donald Martino, John Heiss, Michael Gandolfi, Jon Deak, Vanessa Lann, Louis Goldstein, Lukas Foss, Lior Navok, Steffen Schleirmacher and more. Her special attention to music of today includes performances with the Boston Modern Orchestra Project (BMOP), Dinosaur Annex, Callithumpian Consort,  Boston’s Microtonal Society: NotaRiotous, Beat City Art Ensemble, Alea III, Lumen Contemporary Music Ensemble, Warebrook Contemporary Music Festival, Rockport Chamber Music Festival, HERENOW new music festival (Bulgaria), the Composers Out Front series sponsored by the American Composers Orchestra and, with the highest acclaim given by Pozzi Escot, composer of Piano Concerto, the Soria Chamber Players. Sarah has multiple times been the featured soloist with Boston Musica Viva on the Fleet Boston Celebrity Series and has also shared the concert stage with performers that include sopranos Lucy Shelton, Lisa Saffer and Diana Hoagland, the Borromeo String Quartet, saxophonist Kenneth Radnofsky, violinists James Buswell and Irina Muresanu, Ann Arbor’s Phoenix Ensemble, Maestros Frank Batisti, Robert Kapilow, and Robert Page, clarinetist Richard Stolzman, cellist Lawrence Lesser, flutists Fenwick Smith and Bonita Boyd and the Stone Mountain Boys. Sarah also performs on the First Monday Concert Series, Composers’ Series, Enchanted Circle Contemporary Ensemble, Brandeis New Music, the Summer Institute for Contemporary Piano and Percussion, and is a consistent performer on BMOP’s Club Cafe solo/chamber music series. Radio appearances, both live and prerecorded, include Boston’s WGBH, Columbus, Ohio’s WBCE ,VPRO-Dutch radio, Italy’s Radio Gamma Gioiosa, Germany’s Bayerischer Rundfunk, Dublin’s RTE lyric fm and more including stations in Israel, New Zealand, Canada and Hungary.
Sarah can be heard playing the music of Lee Hyla on the Tzadik label, Curtis K. Hughes on Cauchemar Records, solo piano by Lior Navok on NLM Records, solo and chamber music by Elena Ruehr on Albany Records and Avie Records, Armand Qualliotine on Neptune Music Co., Claude Vivier with violinist Biliana Voutchkova on her CD faces, Cordis on its debut pop album Here On Out by Richard Grimes, solo piano by Lisa Bielawa on the BMOP/sound label, music by Donald Crockett with the Firebird Ensemble on New World Records, chamber music by Eric Moe on BMOP/sound label, and collaborations with BMOP on New World and Oxingale Records. Upcoming CD releases include David Rakowski’s Stolen Moments as featured performer on the title work and a solo piano CD in the works.
Sarah graduated with honors from the University of Michigan School of Music and soon after received her masters from the New England Conservatory (NEC.) Her principal teachers include Steven Masi at the Manhattan School of Music Preparatory Division, Dr. Louis Nagel (UM) and Stephen Drury (NEC.) She worked extensively with both pianist Patricia Zander and Malcolm Lowe, former concertmaster of the Boston Symphony Orchestra as a member of the 1998-1999 NEC Honors Piano Trio. Sarah, originally from Teaneck, New Jersey, has served as adjunct faculty at the University of North Carolina at Chapel Hill Department of Music, the College of the Holy Cross in Worcester, MA and PhoenxPhest! in Ann Arbor, Michigan and presently both teaches privately in the Boston area and is on faculty at the Community Music Center of Boston. Sarah loves dark chocolate, flowers, good books, deep massage, Zumba, her percussionist/composer husband, Aaron Trant, and their sweet and adorable children and dog. For more information, please go to www.sarahbob.net.

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